Museum of Art
Andrew W. Mellon Postdoctoral Fellow in Russian Nicholas Kupensky analyzes three posters designed by the pioneering Soviet artist Gustav Klutsis, who specialized in montages.
The Museum recently acquired a 4th century BCE Apulian Red-Figure Fish Plate that strengthens the Museum’s holdings of artifacts from the Greek colonies in southern Italy and Sicily.
Frank Bowling’s painting “Skowhegan Green II,” currently on view in “Looking Anew: Art and Estrangement, 1900–2000,” at the Bowdoin College Museum of Art, was inspired by the verdant landscape of rural Maine during the summer of 1984,
“Art at the Limits of Reason, 1950–1980:” A Lecture by Metropolitan Museum of Art Curator Kelly Baum on February 8
Kelly Baum, Cynthia Hazen Polsky and Leon Polsky Curator of Contemporary Art, The Metropolitan Museum of Art, New York, will speak at Bowdoin on Thursday, February 8.
Four drawings by Louis Eilshemius (American, 1864–1941) have recently been acquired by the Bowdoin College Museum of Art.
“Second Sight: The Paradox of Vision in Contemporary Art” to open in early March at the Bowdoin College Museum of Art
“Second Sight: The Paradox of Vision in Contemporary Art,” featuring approximately 35 works by a diverse range of artists who explore the experiential, psychological, and metaphorical implications of blindness and invisibility in recent American art, will open in March at the Bowdoin College Museum of Art.
Janet Catherine Berlo, Professor of Art History and Visual and Cultural Studies at the University of Rochester, will present “Narrative and Abstraction in Plains Indian Art, 1850 to the Present,” on January 25 in conjunction with the exhibition “Art from the Northern Plains”